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Gaspar’s personal work is centered on moving images, as a technical and theoretical way of understanding our (late capitalist) society, and also working on more material objects, such as clothes or moldings for sculptural works.
Gaspar is interested in notions like :
The topological constriction of affects
its exhaustive systematization and disciplinary mechanization.
Technological tools for contemporary image management.
The rapport of form and fonction between human feelings and their social representations.